Difference between revisions of "BEYOND MEDIA TEXTS 1"
Line 1: | Line 1: | ||
'''VASULKA KITCHEN Cooking Reader#1''' | '''VASULKA KITCHEN Cooking Reader#1''' | ||
+ | |||
BEYOND MEDIA TEXTS I: Primal & Final | BEYOND MEDIA TEXTS I: Primal & Final | ||
+ | |||
The contributions herein reflects to a wide spectre of emerging and urgent topics, related to digital media art: starting with conservation and preservation of analogue and digital media art to historical frameworks and contexts of electronic culture to independent and autonoumous post-media praxis. | The contributions herein reflects to a wide spectre of emerging and urgent topics, related to digital media art: starting with conservation and preservation of analogue and digital media art to historical frameworks and contexts of electronic culture to independent and autonoumous post-media praxis. | ||
+ | |||
Click, browse, swipe, like, share, save, enjoy! | Click, browse, swipe, like, share, save, enjoy! | ||
Line 10: | Line 13: | ||
A note of the editor | A note of the editor | ||
+ | |||
Miloš Vojtěchovský, Praha | Miloš Vojtěchovský, Praha | ||
Digital Oblivion. Towards a Material History of the Media | Digital Oblivion. Towards a Material History of the Media | ||
+ | |||
Peter Weibel, Karlsruhe | Peter Weibel, Karlsruhe | ||
Prístupy k uchovávaniu súčasného umenia, Video, inštalácie, digitálne umenie a otázky mediálnej konzervácie | Prístupy k uchovávaniu súčasného umenia, Video, inštalácie, digitálne umenie a otázky mediálnej konzervácie | ||
+ | |||
Dušan Barok, Oslo | Dušan Barok, Oslo | ||
Case studies | Case studies | ||
− | + | A Critical History of Media Art in The Netherlands: Platforms, Policies, Technologies, Research in Technological Art | |
+ | |||
Gaby Wijers, Amsterdam | Gaby Wijers, Amsterdam | ||
SENSTER 2.0: Cultural Context of Media Art Curatorship | SENSTER 2.0: Cultural Context of Media Art Curatorship | ||
+ | |||
Anna Olszewska, Krakov | Anna Olszewska, Krakov | ||
Chtít toho příliš. Nadace C3 v roce 2017 a zpráva „404“ | Chtít toho příliš. Nadace C3 v roce 2017 a zpráva „404“ | ||
+ | |||
Miklos Peternák, Budapest | Miklos Peternák, Budapest | ||
− | + | Technology as a tool of communication. The use of electronic and digital mediums at Artpool Art Research Center, Budapest from the 1980s on | |
+ | |||
Flóra Barkóczi, Budapest | Flóra Barkóczi, Budapest | ||
Machine Vision / Computer Vision, Ke konceptuálním východiskům projektu Vašulka Live Archive | Machine Vision / Computer Vision, Ke konceptuálním východiskům projektu Vašulka Live Archive | ||
+ | |||
Jana Horáková et al, Brno | Jana Horáková et al, Brno | ||
Archivní obsese. Cesty archivem Steiny a Woodyho Vašulkových | Archivní obsese. Cesty archivem Steiny a Woodyho Vašulkových | ||
+ | |||
Lenka Dolanová, Pardubice | Lenka Dolanová, Pardubice | ||
Archiving The Brotherhood: Proposing a Technical Genealogy for Time-Based Works | Archiving The Brotherhood: Proposing a Technical Genealogy for Time-Based Works | ||
+ | |||
Joey Heinen, Los Angeles. | Joey Heinen, Los Angeles. | ||
Neklid obrazu: Meze pohybu | Neklid obrazu: Meze pohybu | ||
+ | |||
Matěj Strnad, Kryštof Pešek, Praha | Matěj Strnad, Kryštof Pešek, Praha | ||
Databáze jako nová teorie všeho – věci, sítě, stropy a konstrukce | Databáze jako nová teorie všeho – věci, sítě, stropy a konstrukce | ||
+ | |||
Jakub Frank, Barbora Kundračíková, Olomouc | Jakub Frank, Barbora Kundračíková, Olomouc | ||
Média manipulace / média imaginace | Média manipulace / média imaginace | ||
+ | |||
Michal Klodner, Praha | Michal Klodner, Praha | ||
Audiovizuální dílo mimo kontext kinematografie: dokumentace, archivace a zpřístupnění | Audiovizuální dílo mimo kontext kinematografie: dokumentace, archivace a zpřístupnění | ||
+ | |||
Sylva Poláková, Martin Balžíček, NFA, Praha | Sylva Poláková, Martin Balžíček, NFA, Praha | ||
Line 56: | Line 73: | ||
Woody Bohuslav Vasulka (poetry) | Woody Bohuslav Vasulka (poetry) | ||
+ | |||
Vít Janeček | Vít Janeček | ||
As We May Think | As We May Think | ||
+ | |||
Vannevar Bush | Vannevar Bush | ||
Notes on the Crisis in Technological Art | Notes on the Crisis in Technological Art | ||
+ | |||
Gustav Metzeger | Gustav Metzeger | ||
The Mass Media and The Future of Desire | The Mass Media and The Future of Desire | ||
+ | |||
Gene Youngblood | Gene Youngblood | ||
− | From Cybernation to Interaction: A Contribution to an Archaeology of | + | From Cybernation to Interaction: A Contribution to an Archaeology of Interactivity |
− | + | ||
Erkki Huhtamo | Erkki Huhtamo | ||
Line 75: | Line 96: | ||
Biographies | Biographies | ||
− | |||
Editor: Miloš Vojtěchovský | Editor: Miloš Vojtěchovský |
Revision as of 18:03, 19 November 2021
VASULKA KITCHEN Cooking Reader#1
BEYOND MEDIA TEXTS I: Primal & Final
The contributions herein reflects to a wide spectre of emerging and urgent topics, related to digital media art: starting with conservation and preservation of analogue and digital media art to historical frameworks and contexts of electronic culture to independent and autonoumous post-media praxis.
Click, browse, swipe, like, share, save, enjoy!
A note of the editor
Miloš Vojtěchovský, Praha
Digital Oblivion. Towards a Material History of the Media
Peter Weibel, Karlsruhe
Prístupy k uchovávaniu súčasného umenia, Video, inštalácie, digitálne umenie a otázky mediálnej konzervácie
Dušan Barok, Oslo
Case studies
A Critical History of Media Art in The Netherlands: Platforms, Policies, Technologies, Research in Technological Art
Gaby Wijers, Amsterdam
SENSTER 2.0: Cultural Context of Media Art Curatorship
Anna Olszewska, Krakov
Chtít toho příliš. Nadace C3 v roce 2017 a zpráva „404“
Miklos Peternák, Budapest
Technology as a tool of communication. The use of electronic and digital mediums at Artpool Art Research Center, Budapest from the 1980s on
Flóra Barkóczi, Budapest
Machine Vision / Computer Vision, Ke konceptuálním východiskům projektu Vašulka Live Archive
Jana Horáková et al, Brno
Archivní obsese. Cesty archivem Steiny a Woodyho Vašulkových
Lenka Dolanová, Pardubice
Archiving The Brotherhood: Proposing a Technical Genealogy for Time-Based Works
Joey Heinen, Los Angeles.
Neklid obrazu: Meze pohybu
Matěj Strnad, Kryštof Pešek, Praha
Databáze jako nová teorie všeho – věci, sítě, stropy a konstrukce
Jakub Frank, Barbora Kundračíková, Olomouc
Média manipulace / média imaginace
Michal Klodner, Praha
Audiovizuální dílo mimo kontext kinematografie: dokumentace, archivace a zpřístupnění
Sylva Poláková, Martin Balžíček, NFA, Praha
Appendix
Woody Bohuslav Vasulka (poetry)
Vít Janeček
As We May Think
Vannevar Bush
Notes on the Crisis in Technological Art
Gustav Metzeger
The Mass Media and The Future of Desire
Gene Youngblood
From Cybernation to Interaction: A Contribution to an Archaeology of Interactivity
Erkki Huhtamo
Outline of the Program of the Coloquium, Brno 2019
Biographies
Editor: Miloš Vojtěchovský Translators: Miloš Bartoň, Vít Bohal, Lenka Dolanová, Tomáš Dvořák, Dan Hrabina, Jiří Novák, Miloš Vojtěchovský Czech Language editors: Kateřina Danielová, Marika Svobodová, Markéta Slezáková, Radka Loukotová. English Languague editors: Jennifer de Felice? Copy editor: xxx? Cover design: xxxx? Design and EPUB development: Karel Bařina? Lloyd Dunn?
This publication was made possible by and in cooperation with:
Vašulka Kitchen Brno, 2020 ISBN/EAN Paperback: xxxx ISBN EPUB: xxxxx
This publication is licensed under Creative Commons Attribution NonCommercial ShareAlike 4.0 Unported (CC BY-NC-SA 4.0)
Centrum umění nových médií VASULKA KITCHEN BRNO, z. s., Malinovského nám. 2, 602 00 Brno https://vasulkakitchen.org/
Bankovní spojení: Fio Banka, a. s., Číslo účtu: 2701689233/2010 IČ: 05230209 DIČ: CZ05230209