Difference between revisions of "Peter Kirby"
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PETER KIRBY | PETER KIRBY | ||
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Grand View Blvd Los Angeles | Grand View Blvd Los Angeles | ||
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| − | I have known Woody and Steina Vasulka for more than 10 years,and was able to work with Woody on the final editing of The Commission In 1983.In 19021 was in Paris when Woody | + | California |
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| + | WFAX 310.391,9930 | ||
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| + | I have known Woody and Steina Vasulka for more than 10 years,and was able to work with Woody on the final editing of The Commission In 1983.In 19021 was in Paris when Woody installed a version of The Theater of Hybrid Automata and helped him working on that piece, the ply Itself, and did aninterview with him with the help of Rosanna Albertini. This was to be part of a portrait of the Vasulks's for French television, a projet that has yet to be fully handed. Result of this work has been the development of ideas for a tape about the work and live s of Woody and Steina, using the tools they them selves have worked with over the last two decades. This will include us in gabroadrange of cameras,which display the history of videoart image making. In the quality of the camera images,and camera mounting systems and control systems that connect the world and the movement of the camera.The tape will Include brief comments from collaborators and colleagues In Santa Fe and elsewhere,and talks with Woody and Steina,recorded largely with their video tools.vl(iso was like a way out of it,finally than was barsbones,there was simply,vpdn*lvvway.And Mcould completely abandon this idea of telling,of the narrativity. Woody Vasulka Woody and Steina Vasulka are practical metaphysicians,involved In a quest to capture time and energy and time In to art.They are involved in the mechanical and the electronic,and created their work at the Intersection of the set wo structures,onevery old and the other relatively new Attempting to do the very difficult with resistant technologies,inventing solutions to problems und reame dofby the makers of machines,they have been for decades on several of the cutting edges of art,and of various technologies,with a strong grounding In a modemist past which they constantly try to escape. | ||
Latest revision as of 12:33, 14 October 2024
Since 1985 Peter Kirby has produced and directed over 60 works, including a series of works on contemporary artists and architects, a three hour evening for KCET on Los Angeles artists, and multi-screen media components for four major touring exhibitions organized by the Museum of Contemporary Art, Los Angeles.
In addition to these works, he has produced and directed films and multi screen installations for a variety of clients, both in the art world and the commercial, with clients as diverse as; the J. Paul Getty Museum; Los Angeles County Museum of Art; Newport Harbor Museum of Art; Lannan Foundation; The Whitney Museum of American Art and The National Portrait Gallery, Universal Studio Tours, Florida and The Mirage Hotel, Las Vegas.
He has received a Western States Regional Media Arts Fellowship and awards for commercial work from the International Film and TV Festival of New York, the Houston International Film Festival and was nominated for a Los Angeles area Emmy.
His works have been shown in festivals and museums around the world.
Peter Kirby: Binary Lives: Steina and Woody Vasulka 1997 | 00:46:00 | United States | English | Color | Stereo | 4:3 |
PETER KIRBY
MEDIA SERVICES
flaming torches
Grand View Blvd Los Angeles
California
WFAX 310.391,9930
I have known Woody and Steina Vasulka for more than 10 years,and was able to work with Woody on the final editing of The Commission In 1983.In 19021 was in Paris when Woody installed a version of The Theater of Hybrid Automata and helped him working on that piece, the ply Itself, and did aninterview with him with the help of Rosanna Albertini. This was to be part of a portrait of the Vasulks's for French television, a projet that has yet to be fully handed. Result of this work has been the development of ideas for a tape about the work and live s of Woody and Steina, using the tools they them selves have worked with over the last two decades. This will include us in gabroadrange of cameras,which display the history of videoart image making. In the quality of the camera images,and camera mounting systems and control systems that connect the world and the movement of the camera.The tape will Include brief comments from collaborators and colleagues In Santa Fe and elsewhere,and talks with Woody and Steina,recorded largely with their video tools.vl(iso was like a way out of it,finally than was barsbones,there was simply,vpdn*lvvway.And Mcould completely abandon this idea of telling,of the narrativity. Woody Vasulka Woody and Steina Vasulka are practical metaphysicians,involved In a quest to capture time and energy and time In to art.They are involved in the mechanical and the electronic,and created their work at the Intersection of the set wo structures,onevery old and the other relatively new Attempting to do the very difficult with resistant technologies,inventing solutions to problems und reame dofby the makers of machines,they have been for decades on several of the cutting edges of art,and of various technologies,with a strong grounding In a modemist past which they constantly try to escape.
