Difference between revisions of "BEYOND MEDIA TEXTS 1"
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| − | '''VASULKA KITCHEN Reader #1''' | + | '''VASULKA KITCHEN Cooking Reader#1''' |
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BEYOND MEDIA TEXTS I: Primal & Final | BEYOND MEDIA TEXTS I: Primal & Final | ||
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The contributions herein reflects to a wide spectre of emerging and urgent topics, related to digital media art: starting with conservation and preservation of analogue and digital media art to historical frameworks and contexts of electronic culture to independent and autonoumous post-media praxis. | The contributions herein reflects to a wide spectre of emerging and urgent topics, related to digital media art: starting with conservation and preservation of analogue and digital media art to historical frameworks and contexts of electronic culture to independent and autonoumous post-media praxis. | ||
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Click, browse, swipe, like, share, save, enjoy! | Click, browse, swipe, like, share, save, enjoy! | ||
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| − | + | [[Content]] | |
| + | |||
| + | A note of the editor | ||
| + | Miloš Vojtěchovský, Praha | ||
| + | |||
| + | Digital Oblivion. Towards a Material History of the Media | ||
| + | Peter Weibel, Karlsruhe | ||
| + | |||
| + | Prístupy k uchovávaniu súčasného umenia, Video, inštalácie, digitálne umenie a otázky mediálnej konzervácie | ||
| + | Dušan Barok, Oslo | ||
| + | |||
| + | Case studies | ||
| + | |||
| + | A Critical History of Media Art in The Netherlands: Platforms, Policies, Technologies, Research in Technological Art | ||
| + | Gaby Wijers, Amsterdam | ||
| + | |||
| + | SENSTER 2.0: Cultural Context of Media Art Curatorship | ||
| + | Anna Olszewska, Krakov | ||
| + | |||
| + | Chtít toho příliš. Nadace C3 v roce 2017 a zpráva „404“ | ||
| + | Miklos Peternák, Budapest | ||
| + | |||
| + | Technology as a tool of communication. The use of electronic and digital mediums at Artpool Art Research Center, Budapest from the 1980s on | ||
| + | Flóra Barkóczi, Budapest | ||
| + | |||
| + | Machine Vision / Computer Vision, Ke konceptuálním východiskům projektu Vašulka Live Archive | ||
| + | Jana Horáková et al, Brno | ||
| + | |||
| + | Archivní obsese. Cesty archivem Steiny a Woodyho Vašulkových | ||
| + | Lenka Dolanová, Pardubice | ||
| + | |||
| + | Archiving The Brotherhood: Proposing a Technical Genealogy for Time-Based Works | ||
| + | Joey Heinen, Los Angeles. | ||
| + | |||
| + | Neklid obrazu: Meze pohybu | ||
| + | Matěj Strnad, Kryštof Pešek, Praha | ||
| + | |||
| + | Databáze jako nová teorie všeho – věci, sítě, stropy a konstrukce | ||
| + | Jakub Frank, Barbora Kundračíková, Olomouc | ||
| + | |||
| + | Média manipulace / média imaginace | ||
| + | Michal Klodner, Praha | ||
| + | |||
| + | Audiovizuální dílo mimo kontext kinematografie: dokumentace, archivace a zpřístupnění | ||
| + | Sylva Poláková, Martin Balžíček, NFA, Praha | ||
| + | |||
| + | Appendix | ||
| + | |||
| + | Woody Bohuslav Vasulka (poetry) | ||
| + | Vít Janeček | ||
| + | |||
| + | As We May Think | ||
| + | Vannevar Bush | ||
| + | |||
| + | Notes on the Crisis in Technological Art | ||
| + | Gustav Metzeger | ||
| − | + | The Mass Media and The Future of Desire | |
| + | Gene Youngblood | ||
| − | + | From Cybernation to Interaction: A Contribution to an Archaeology of | |
| + | Interactivity | ||
| + | Erkki Huhtamo | ||
| − | |||
| − | + | Outline of the Program of the Coloquium, Brno 2019 | |
| − | + | Biographies | |
| − | + | ||
| + | Editor: Miloš Vojtěchovský | ||
| + | Translators: Miloš Bartoň, Vít Bohal, Lenka Dolanová, Tomáš Dvořák, Dan Hrabina, Jiří Novák, Miloš Vojtěchovský | ||
| + | Czech Language editors: Kateřina Danielová, Marika Svobodová, Markéta Slezáková, Radka Loukotová. | ||
| + | English Languague editors: Jennifer de Felice? | ||
| + | Copy editor: xxx? | ||
| + | Cover design: xxxx? | ||
| + | Design and EPUB development: Karel Bařina? Lloyd Dunn? | ||
| + | |||
| + | |||
| + | This publication was made possible by and in cooperation with: | ||
Vašulka Kitchen Brno, 2020 | Vašulka Kitchen Brno, 2020 | ||
| − | |||
ISBN/EAN Paperback: xxxx | ISBN/EAN Paperback: xxxx | ||
| − | |||
ISBN EPUB: xxxxx | ISBN EPUB: xxxxx | ||
This publication is licensed under Creative Commons Attribution | This publication is licensed under Creative Commons Attribution | ||
NonCommercial ShareAlike 4.0 Unported (CC BY-NC-SA 4.0) | NonCommercial ShareAlike 4.0 Unported (CC BY-NC-SA 4.0) | ||
| + | |||
| + | Centrum umění nových médií | ||
| + | VASULKA KITCHEN BRNO, z. s., | ||
| + | Malinovského nám. 2, | ||
| + | 602 00 Brno | ||
| + | https://vasulkakitchen.org/ | ||
| + | |||
| + | Bankovní spojení: | ||
| + | Fio Banka, a. s., | ||
| + | Číslo účtu: 2701689233/2010 | ||
| + | IČ: 05230209 | ||
| + | DIČ: CZ05230209 | ||
Revision as of 14:16, 7 September 2020
VASULKA KITCHEN Cooking Reader#1 BEYOND MEDIA TEXTS I: Primal & Final
The contributions herein reflects to a wide spectre of emerging and urgent topics, related to digital media art: starting with conservation and preservation of analogue and digital media art to historical frameworks and contexts of electronic culture to independent and autonoumous post-media praxis.
Click, browse, swipe, like, share, save, enjoy!
A note of the editor Miloš Vojtěchovský, Praha
Digital Oblivion. Towards a Material History of the Media Peter Weibel, Karlsruhe
Prístupy k uchovávaniu súčasného umenia, Video, inštalácie, digitálne umenie a otázky mediálnej konzervácie Dušan Barok, Oslo
Case studies
A Critical History of Media Art in The Netherlands: Platforms, Policies, Technologies, Research in Technological Art Gaby Wijers, Amsterdam
SENSTER 2.0: Cultural Context of Media Art Curatorship Anna Olszewska, Krakov
Chtít toho příliš. Nadace C3 v roce 2017 a zpráva „404“ Miklos Peternák, Budapest
Technology as a tool of communication. The use of electronic and digital mediums at Artpool Art Research Center, Budapest from the 1980s on Flóra Barkóczi, Budapest
Machine Vision / Computer Vision, Ke konceptuálním východiskům projektu Vašulka Live Archive Jana Horáková et al, Brno
Archivní obsese. Cesty archivem Steiny a Woodyho Vašulkových Lenka Dolanová, Pardubice
Archiving The Brotherhood: Proposing a Technical Genealogy for Time-Based Works Joey Heinen, Los Angeles.
Neklid obrazu: Meze pohybu Matěj Strnad, Kryštof Pešek, Praha
Databáze jako nová teorie všeho – věci, sítě, stropy a konstrukce Jakub Frank, Barbora Kundračíková, Olomouc
Média manipulace / média imaginace Michal Klodner, Praha
Audiovizuální dílo mimo kontext kinematografie: dokumentace, archivace a zpřístupnění Sylva Poláková, Martin Balžíček, NFA, Praha
Appendix
Woody Bohuslav Vasulka (poetry) Vít Janeček
As We May Think Vannevar Bush
Notes on the Crisis in Technological Art Gustav Metzeger
The Mass Media and The Future of Desire Gene Youngblood
From Cybernation to Interaction: A Contribution to an Archaeology of Interactivity Erkki Huhtamo
Outline of the Program of the Coloquium, Brno 2019
Biographies
Editor: Miloš Vojtěchovský
Translators: Miloš Bartoň, Vít Bohal, Lenka Dolanová, Tomáš Dvořák, Dan Hrabina, Jiří Novák, Miloš Vojtěchovský
Czech Language editors: Kateřina Danielová, Marika Svobodová, Markéta Slezáková, Radka Loukotová.
English Languague editors: Jennifer de Felice?
Copy editor: xxx?
Cover design: xxxx?
Design and EPUB development: Karel Bařina? Lloyd Dunn?
This publication was made possible by and in cooperation with:
Vašulka Kitchen Brno, 2020 ISBN/EAN Paperback: xxxx ISBN EPUB: xxxxx
This publication is licensed under Creative Commons Attribution NonCommercial ShareAlike 4.0 Unported (CC BY-NC-SA 4.0)
Centrum umění nových médií VASULKA KITCHEN BRNO, z. s., Malinovského nám. 2, 602 00 Brno https://vasulkakitchen.org/
Bankovní spojení: Fio Banka, a. s., Číslo účtu: 2701689233/2010 IČ: 05230209 DIČ: CZ05230209
