Difference between revisions of "BEYOND MEDIA TEXTS 1"
| (6 intermediate revisions by 2 users not shown) | |||
| Line 4: | Line 4: | ||
[[File:Vasulkareader.jpg|left|thumb]] | [[File:Vasulkareader.jpg|left|thumb]] | ||
| + | The contributions herein reflects to a wide spectre of emerging and urgent topics, related to digital media art: starting with conservation and preservation of analogue and digital media art to historical frameworks and contexts of electronic culture to independent and autonoumous post-media praxis. | ||
| + | Click, browse, swipe, like, share, save, enjoy! | ||
| + | [[Content]] | ||
| Line 31: | Line 34: | ||
| + | Miloš Vojtěchovský, Praha: [[A note of the editor|Finitude and Eternity in Artwork in Collections and in Other Contexts]] / [[Konečnost|Konečnost a nekonečnost uměleckého díla ve sbírkách a v jiných souvislostech]] | ||
| + | Peter Weibel, Karlsruhe: [[Digitální_zapomnění|Digital Oblivion. Towards a Material History of the Media]] | ||
| − | + | Dušan Barok, Oslo: [[Prístupy k uchovávaniu súčasného umenia|Prístupy k uchovávaniu súčasného umenia, Video, inštalácie, digitálne umenie a otázky mediálnej konzervácie]] | |
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | [[ | ||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| − | |||
| Line 58: | Line 47: | ||
Anna Olszewska, Krakov: SENSTER 2.0: Cultural Context of Media Art Curatorship | Anna Olszewska, Krakov: SENSTER 2.0: Cultural Context of Media Art Curatorship | ||
| − | Miklos Peternák, Budapest: Chtít toho | + | Miklos Peternák, Budapest: [[Chtít_toho_moc|Chtít toho moc. Nadace C3 v roce 2017 a zpráva „404“]] |
Flóra Barkóczi, Budapest: Technology as a tool of communication. The use of electronic and digital mediums at Artpool Art Research Center, Budapest from the 1980s on | Flóra Barkóczi, Budapest: Technology as a tool of communication. The use of electronic and digital mediums at Artpool Art Research Center, Budapest from the 1980s on | ||
| − | Jana Horáková et al, Brno:Machine Vision / Computer Vision, Ke konceptuálním východiskům projektu Vašulka Live Archive | + | Jana Horáková et al, Brno: [[Machine Vision|Machine Vision / Computer Vision, Ke konceptuálním východiskům projektu Vašulka Live Archive]] |
| − | + | Lenka Dolanová, Pardubice: [[Obsese|Archivní obsese. Cesty archivem Steiny a Woodyho Vašulkových]] | |
| − | Joey Heinen, Los Angeles: Archiving The Brotherhood: Proposing a Technical Genealogy for Time-Based Works | + | Joey Heinen, Los Angeles: [[Restaurování instalace THE BROTHERHOOD|Archiving The Brotherhood: Proposing a Technical Genealogy for Time-Based Works]] |
| − | Matěj Strnad, Kryštof Pešek, Praha: Neklid obrazu: Meze pohybu | + | Matěj Strnad, Kryštof Pešek, Praha: [[Neklid obrazu|Neklid obrazu: Meze pohybu]] |
| − | Jakub Frank, Barbora Kundračíková, Olomouc: Databáze jako nová teorie všeho – věci, sítě, stropy a konstrukce | + | Jakub Frank, Barbora Kundračíková, Olomouc: [[Databáze|Databáze jako nová teorie všeho – věci, sítě, stropy a konstrukce]] |
Michal Klodner, Praha: Média manipulace / média imaginace | Michal Klodner, Praha: Média manipulace / média imaginace | ||
| Line 80: | Line 69: | ||
Vít Janeček:Woody Bohuslav Vasulka (poetry) | Vít Janeček:Woody Bohuslav Vasulka (poetry) | ||
| − | Vannevar Bush: As We May Think | + | Vannevar Bush: [[Jak si lze myslet|As We May Think]] |
| − | Gustav | + | Gustav Metzger: [[Poznámky ke krizi|Notes on the Crisis in Technological Art]] |
| − | Gene Youngblood: The Mass Media and The Future of Desire | + | Gene Youngblood: [[Média_a_budoucnost_touhy|The Mass Media and The Future of Desire]] |
| − | Erkki Huhtamo: From Cybernation to Interaction: A Contribution to an Archaeology of Interactivity | + | Erkki Huhtamo: [[Od kybernetizace k interakci|From Cybernation to Interaction: A Contribution to an Archaeology of Interactivity]] |
Outline of the Program of the Coloquium, Brno 2019 | Outline of the Program of the Coloquium, Brno 2019 | ||
| Line 107: | Line 96: | ||
| − | This publication was made possible by and in cooperation with: | + | This publication was made possible by and in cooperation with: |
Vašulka Kitchen Brno, 2020 | Vašulka Kitchen Brno, 2020 | ||
| − | This publication is licensed under Creative Commons Attribution | + | This publication is licensed under Creative Commons Attribution NonCommercial ShareAlike 4.0 Unported (CC BY-NC-SA 4.0) |
| − | NonCommercial ShareAlike 4.0 Unported (CC BY-NC-SA 4.0) | ||
Centrum umění nových médií | Centrum umění nových médií | ||
Latest revision as of 12:05, 1 July 2023
VASULKA KITCHEN Cooking Reader#1
BEYOND MEDIA TEXTS I: Primal & Final
The contributions herein reflects to a wide spectre of emerging and urgent topics, related to digital media art: starting with conservation and preservation of analogue and digital media art to historical frameworks and contexts of electronic culture to independent and autonoumous post-media praxis.
Click, browse, swipe, like, share, save, enjoy!
Miloš Vojtěchovský, Praha: Finitude and Eternity in Artwork in Collections and in Other Contexts / Konečnost a nekonečnost uměleckého díla ve sbírkách a v jiných souvislostech
Peter Weibel, Karlsruhe: Digital Oblivion. Towards a Material History of the Media
Dušan Barok, Oslo: Prístupy k uchovávaniu súčasného umenia, Video, inštalácie, digitálne umenie a otázky mediálnej konzervácie
Case studies
Gaby Wijers, Amsterdam: A Critical History of Media Art in The Netherlands: Platforms, Policies, Technologies, Research in Technological Art
Anna Olszewska, Krakov: SENSTER 2.0: Cultural Context of Media Art Curatorship
Miklos Peternák, Budapest: Chtít toho moc. Nadace C3 v roce 2017 a zpráva „404“
Flóra Barkóczi, Budapest: Technology as a tool of communication. The use of electronic and digital mediums at Artpool Art Research Center, Budapest from the 1980s on
Jana Horáková et al, Brno: Machine Vision / Computer Vision, Ke konceptuálním východiskům projektu Vašulka Live Archive
Lenka Dolanová, Pardubice: Archivní obsese. Cesty archivem Steiny a Woodyho Vašulkových
Joey Heinen, Los Angeles: Archiving The Brotherhood: Proposing a Technical Genealogy for Time-Based Works
Matěj Strnad, Kryštof Pešek, Praha: Neklid obrazu: Meze pohybu
Jakub Frank, Barbora Kundračíková, Olomouc: Databáze jako nová teorie všeho – věci, sítě, stropy a konstrukce
Michal Klodner, Praha: Média manipulace / média imaginace
Sylva Poláková, Martin Balžíček, NFA, Praha:Audiovizuální dílo mimo kontext kinematografie: dokumentace, archivace a zpřístupnění
Appendix
Vít Janeček:Woody Bohuslav Vasulka (poetry)
Vannevar Bush: As We May Think
Gustav Metzger: Notes on the Crisis in Technological Art
Gene Youngblood: The Mass Media and The Future of Desire
Erkki Huhtamo: From Cybernation to Interaction: A Contribution to an Archaeology of Interactivity
Outline of the Program of the Coloquium, Brno 2019
Biographies
Editor: Miloš Vojtěchovský
Translators: Miloš Bartoň, Vít Bohal, Lenka Dolanová, Tomáš Dvořák, Dan Hrabina, Jiří Novák, Miloš Vojtěchovský
Czech Language editors: Kateřina Danielová, Marika Svobodová, Markéta Slezáková, Radka Loukotová
English Languagu editors: Ken Ganfield, Jennifer de Felice Copy editor: Marika Svobodová / Miloš Vojtěchovský
Cover design:
Design and EPUB development: Karel Bařina, Lloyd Dunn
This publication was made possible by and in cooperation with:
Vašulka Kitchen Brno, 2020
This publication is licensed under Creative Commons Attribution NonCommercial ShareAlike 4.0 Unported (CC BY-NC-SA 4.0)
Centrum umění nových médií
VASULKA KITCHEN BRNO, z. s.,
Malinovského nám. 2,
602 00 Brno
